TlazcaltiliztliWydawca 20 Buck SpinPremiera 2022-06-17USAA Tzompantli, in bygone days, was a rack used to display human skulls, often of enemies or sacrifices, in several Mesoamerican civilizations. In 2022, TZOMPANTLI is a beyond crushing death/doom war march built on a bedrock of native/indigenous themes, rituals, and history, illuminating the splendor, brutality, and despair within.
Nearly three years after the band’s well-received, self-released EP, TZOMPANTLI’s debut full-length presents the first smoke-conjured specter to manifest materially. Tlazcaltiliztli, a ritual ceremony that translates to “nourishing the fire and sun with blood,” is imbued with the spirit of native inspiration that dwells deep within the heart and soul of the project and is skillfully weaved into a traditional bludgeoning framework of spine-severing savagery and melancholic anguish. On the ritualistic “Eltequi” (to cut the chest open and extract the heart as an offering”), the band’s unification of native/folk instrumentation and heaviness becomes one in the same, opening vast new horizons for where this sound can go.
TZOMPANTLI’s main member Huey Itztekwanotl o))), who is responsible for all music and lyrics for the band, is also known for playing with Pomona’s brutal hardcore merchants Xibalba. Tlazcaltiliztli is dedicated, and an offering to, the indigenous peoples, nations, and tribes of the North, South, East, and West of the American continents. It marks a fearsome and spirited new vision for the death metal underground.
The drums on “Eltequi” were performed by Huey Itztekwanotl o))), and the Huehuetl drum circle, teponaztli drum, death whistles, shells and shakers were performed by Mateotl Gonzalez, G-bone, and Huey Itztekwanotl o))). Tlazcaltiliztli was produced by Erol Ulug and Huey Itztekwanotl o))), and was recorded, mixed, and mastered by Erol Ulug at Bright Light Studios. The album’s vibrant cover art was handled by Andi from AVS Ravenheart, and the layout handled by Dan Fried.
TZOMPANTLI is a necessity for those who cherish the works of Coffins, Solothus, Vastum, Spectral Voice, Evoken, Disembowelment, Morbid Angel, Hooded Menace, Hellhammer, Grave, and Paradise Lost.
A Tzompantli, in bygone days, was a rack used to display human skulls, often of enemies or sacrifices, in several Mesoamerican civilizations. In 2022, TZOMPANTLI is a beyond crushing death/doom war march built on a bedrock of native/indigenous themes, rituals, and history, illuminating the splendor, brutality, and despair within.
